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Black Guy Dies First: Black Horror Cinema from Fodder to Oscar

The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar

By Robin R Means Coleman and Mark H Harris

"The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.

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Book Information

Publisher: S&s/Saga Press.
Publish Date: 02/07/2023
Pages: 336
ISBN-13: 9781982186531
ISBN-10: 1982186534
Language: English

What We're Saying

February 01, 2023

A booklist to celebrate new and classic reads that reflect the great variety of Black perspectives and experiences. READ FULL DESCRIPTION

Full Description

A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out, Candyman, and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.'s assassination in April. This timely book is a must-read for cinema and horror fans alike.

About the Authors

Dr. Robin R. Means Coleman is Northwestern's vice president and associate provost for diversity and inclusion. An internationally prominent and award-winning scholar, Dr. Coleman's work focuses on media studies and the cultural politics of Blackness. Dr. Coleman is the author of Horror Noire: Blacks in American Horror Films from the 1890s to Present and African American Viewers and the Black Situation Comedy: Situating Racial Humor.

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Mark H. Harris is an entertainment journalist who has written about cinema and pop culture for over twenty years for New York magazine, Vulture, Rotten Tomatoes, About.com, PopMatters, Salem Horror Fest, Napster, MadAtoms, Pretty Scary, Ugly Planet, and THEiNDI. A

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